A heart-wrenching story of a mother's unbending search for her missing son. I won't deny that many happenings were predictable, but few bold gasping-worth moments took me by surprise (the main reason I rated this 8.5). At some point, I thought it was going to turn into a revenge story, which is tempting, but thankfully enough didn't happen. The movie instead gave a message that hope is one thing that a mother should never give up on for her child, just as the movie title suggests "Please Find Me".
In some parts of Asia, the Chinese title of this film is known as “Avenging Mother”, even though the film is not about revenge. Whereas in South Korea, it translates as “Find Me”. “Bring Me Home” also marks the return of actress Lee Young-ae to the big screen after 14 long years. Of course she was last seen in Park Chan-wook’s “Sympathy for Lady Vengeance” back in 2005. Nonetheless, she has been busy doing historical television series since 2017. This was gut wrenchingly bleak movie that shows how horrific reality can be sometimes.
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Movie-goers looking for fact-paced action or feel-good drama will not find it here with “Bring Me Home”. The film delivers instead a tear-jerking experience, particularly if you have children of your own, or love children. It riles up one’s parental instincts and makes you empathise with Jung Yeon, even if she does make questionable choices at times. Actress Lee Young Ae stars as Jung Yeon, a mother whose child has been missing for six years. She and her husband Myeong Guk have been searching tirelessly for their son throughout the country since he disappeared at a playground. One day, she receives an anonymous tip-off regarding her son’s whereabouts.
Frustrating and unfair events kept on building and escalating to effectively make you feel the misery, another thing that honestly made this movie cruel and distressing to watch. Few days later a police officer called and told her about a child who looked totally like her son. On the other hand, the police cheif is constantly threating the police officer for saying all this as he was working for the man who had her son. When she come to the village port looking for her child, everyone including the police cheif denied . She felt something is really fishy going on, so she kept searching the houses. Suddenly she got caught and was about to throw out.
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In addition, most of the victims here are under the age of 16. This means that they are initially treated 'only' as runaways - this was the case in 80 percent of the solved cases. Thus, the police and authorities are not primarily in charge, but the parents. If the children are among the remaining 20 percent - the kidnapped or abandoned - then unfortunately they are unlucky that they are not searched for with the necessary vigor.
The film also realistically depicts the struggles the parents of missing children in the form of prank calls, corrupted police and disinterest of the general public. Throughout the film, we witness Jung Yeon’s slow descent into desperation with each hurdle she overcomes. A dedicated mother in search of her missing son follows a tip that leads her to a fishing village where corrupt police officers might have the answers to her mystery.
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Lee Young-ae's performing skills really tell that she's a good actress! Felt like it could have been much better if the plot were altered. In 'Bring Me Home', she plays a mother whose child has been kidnapped for years.
It has been proven that the pain, the struggle with guilt and hope, does not stop in the years and decades that follow. Human trafficking is not a specifically South Korean issue. However, the continent of Asia is the undisputed leader with 7 countries among the 11 countries with the most victims worldwide.
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It’s not a feel-good drama, but the saving grace is the acting of Lee Young-ae while the character of the corrupted cop is a plus too. He’s on the take and fits right in with those low class workers that populate the fishing community, which doubles as a hideout for criminals. These locals have two young kids living with them, who are treated like slaves and sleep in run down shacks, and obviously they’re not their own children. Seung-yeon is led to believe that one of the kids might be her son, and that’s the reason she ends up looking there, and hence unfortunately, crossing path with this mob of misfits. In South Korea, over 99 percent of missing children are found within the first two days. However, for the 1 percent of families who do not find their child during this time span, a nightmare begins that has already driven many parents to even commit suicide.
Another comparison is my lust for her in action mode, and my crush on her as she sat in silence recording the sounds of nature. Still you might feel inclined to change some of your thinking and ways after seeing this. It's not easy to digest and it is even tougher to keep track of missing kids.
The police and the port fishermen became nervous and afraid at the same time. As if they let the lady go,they will be in jail for murdering and captivating a kid. At the very night, a man came to lured her and she took the advantage of it and made herself free. She then killed killed everone who were resposible for her son dead.
Unfortunately, during a prank call in which he follows up, he’s killed in a car accident. But this doesn’t stop Jung-yeon from looking, one day she receives a tip-off which leads her to a small fishing community outside the city. Eventually, her encounter with the locals while searching for her lost son ends in more heart breaks and bloodshed. The film highlights a mother’s love through Jung Yeon’s determined search to find her son. She never stops looking for him despite the challenges that life throws at her.
So you won't feel like the movie is lecturing you. It debuted in the Discovery program of 2019 Toronto International Film Festival. Sales remained strong with 3.34 million tickets sold while the domestic industry was once again on the defensive, claiming just 18% of those. Following last weekend’s massive debut, which represented...
While leaving the place, she told child to take care of his mother but he said she is not. She came back at night when the two boys went missing,. As soon as they got caught , the cheif handcuff them. The basic plot of the movie had potential but the lady who plays the lead is so dull that she kills off any desire you would have to watch it. If I was her child even I would want to get myself kidnapped just so that I wouldn't have to spend another day with her.
It does pull it back around at the end so you're not just left with the absolute brutality of the previous hour and a half, but it's still a hard watch. Perhaps it would be appropriate to describe this KMovie as a fine study in the nexus between humanity and inhumanity, with the scales being tipped by human compassion. Life becomes barren, cruel, brutal and hopeless when this compassion no longer finds a place among people.
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